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・ Tomás Antonio Trueba
・ Tomás António Garcia Rosado
・ Tomás António Gonzaga
・ Tomás Antônio Maciel Monteiro, 1st Baron of Itamaracá
・ Tomás Argento
・ Tomás Arias
・ Tomás Arita Valle
・ Tomás Bacach Ó Dúgáin
・ Tomás Bairéad
・ Tomás Balcázar
・ Tomás Balduino
・ Tomás Barris
・ Tomás Barros Pardo
・ Tomás Barroso
・ Tomás Bartomeus
Tomás Batista
・ Tomás Becerra
・ Tomás Bernaldo de Quirós
・ Tomás Berreta
・ Tomás Blanco
・ Tomás Blanco (actor)
・ Tomás Blanco (writer)
・ Tomás Bobadilla
・ Tomás Bobhdacing
・ Tomás Borge
・ Tomás Boy
・ Tomás Brady
・ Tomás Bretón
・ Tomás Brito Lara
・ Tomás Brizuela


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Tomás Batista : ウィキペディア英語版
Tomás Batista

Tomás Batista (born 1935) is one of Puerto Rico's greatest sculptors. He is the creator of some of Puerto Rico's most famous monuments.
==Early years==
Batista (birth name: Tomás Batista Encarnación) was born and raised in Luquillo, Puerto Rico, a town located in the northeastern coast of Puerto Rico. His family was poor, but he did well in school and finished high school. His family recognized that their son had talent as an artist at a young age. After graduating from high school, he moved to San Juan to continue his education. There he met and went to work with the Spanish artist, Angel Botello. In 1955, while working with Botello, Batista discovered that he had a natural talent to work with the restoration process in wood. He learned from Botello the secrets of restoration and how to work with gold on wood. In 1957, he realized his first work of art, the ''Crucifixion''.〔http://netdial.caribe.net/~abatista/tbatista.htm Tomas Batista〕
In 1958, Batista was awarded a grant and studied sculptoring at the Puerto Rican Institute of Culture under the direction of the Maestro Compostela. Batista also studied art in La Escuela Nacional de Bellas Artes La Esmeralda in Mexico City, Mexico on a Guggenheim fellowship in 1960〔("1960 Latin American and Caribbean Fellows", ''Guggenheim Foundation'' )〕 and in the Instituto de Cultura Hispánica in Spain. In 1966, he was named director of the Department of Sculpture and Restoration of the Puerto Rican Institute of Culture. In 1972, Batista spent a year in Spain, where he created the busts of Eugenio María de Hostos and Ramón Emeterio Betances.〔

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